Professor; Graduate Faculty; Associate Faculty: Centre for Comparative Literature; Affiliate Faculty: Collaborative Program in Book History and Print Culture; Associate Faculty: Department of German.
Office Phone: 416-585-4570
Office Location: Jackman Humanities Building, Room 915 and Victoria College 107.
Office Hours and/or Leave Status: TBA
Degrees: B.A. (Toronto), Ph.D. (Princeton), FRSC.
Teaching Fields: Romantic & Victorian Literature.
Biography: Angela Esterhammer works in the areas of British, German, and European Romanticism and nineteenth-century culture, from perspectives that emphasize performativity and performance. Her books Creating States (1994) and The Romantic Performative (2000) approach literary texts from the viewpoint of verbal performativity, speech acts, and philosophies of language. Romanticism and Improvisation, 1750-1850 (2008) uncovers the popularity of on-stage poetic improvisers during the “Romantic century,” tracing the influence of improvisational poetry across Europe and showing how improvisation interacts with Romantic ideas about genius, spontaneity, orality, gender, and national identity (see also the online database “The Improvisation of Poetry, 1750-1850” http://romanticimprov.utoronto.ca/ ). Her new book, Print and Performance in the 1820s: Improvisation, Speculation, Identity (2020), concerns experimental uses of textual, visual, and performative media during the 1820s. As the General Editor of The Works of John Galt, she leads an international project to publish a 15-volume critical edition of Galt’s fiction. Other areas covered in her research and teaching are Romantic poetry (Blake, Coleridge, Byron, Hemans, Landon, Hölderlin) and fiction (Scott, Godwin, Kleist, Staël). Professional roles include: Founding Member and Executive Committee member of the North American Society for the Study of Romanticism (NASSR); Founding Director of Western University's graduate program in Comparative Literature and the University of Zurich's PhD program in English and American Literary Studies; Past President of the Canadian Comparative Literature Association. She is a past holder of the Distinguished University Professorship (Western), the Alexander von Humboldt Fellowship, and the Polanyi Prize for Literature, a member of the Academia Europaea, and a Fellow of the Royal Society of Canada.
Print and Performance in the 1820s: Improvisation, Speculation, Identity. Cambridge: Cambridge UP (2020).
Co-editor (with Diane Piccitto and Patrick Vincent), Romanticism, Rousseau, Switzerland: New Prospects. Basingstoke: Palgrave Macmillan, 2015. 229 pp.
Co-editor (with Diane Piccitto and Patrick Vincent), Romantic Prospects. Special conference issue of European Romantic Review 24.3 (June 2013). 132 pp.
Co-editor (with Alexander J. Dick), Spheres of Action: Speech and Performance in Romantic Culture. Toronto: University of Toronto Press, 2009.
Romanticism and Improvisation, 1750-1850. Cambridge: Cambridge University Press, 2008.
Co-editor (with Jefferson J. A. Gatrall), Identity and Community: Constructions, Deconstructions, Reconstructions. Special issue of Arcadia: International Journal of Literary Studies 43 (2008), No. 1.
Editor, Northrop Frye on Milton and Blake. Volume 16 of the Collected Works of Northrop Frye. Toronto: University of Toronto Press, 2005.
Spontaneous Overflows and Revivifying Rays: Romanticism and the Discourse of Improvisation. Vancouver: Ronsdale Press, 2004.
Co-editor (with Vladimir Biti). Framing Contingency. Special issue of Arcadia 39 (2004), No. 2.
Editor, Romantic Poetry. Comparative History of Literatures in European Languages. Amsterdam: John Benjamins, 2002.
The Romantic Performative: Language and Action in British and German Romanticism. Stanford University Press, 2000.
Creating States: Studies in the Performative Language of John Milton and William Blake. University of Toronto Press, 1994. 245 pp.
Two Stories of Prague, by R. M. Rilke. A translation and critical introduction. University Press of New England, 1994. 109 pp.
Editor, Philosophies of Genre. Special Issue of European Romantic Review, 5 (1994), No. 1. 131 pp.
“Political Economy and Narrative Performance in John Galt’s The Entail.” The Politics of Romanticism. Ed. Pascal Fischer and Christoph Houswitschka. Trier: Wissenschaftlicher Verlag Trier (forthcoming 2019).
“The Reception of Blake in Switzerland.” The Reception of William Blake in Europe. 2 vols. Ed. Morton D. Paley and Sibylle Erle. London: Bloomsbury Academic, 2019. 1: 299-309.“The 1820s and Beyond.” The Oxford Handbook of British Romanticism. Ed. David Duff. Oxford: Oxford UP, 2018. 74-88.“Galt the Speculator: Sir Andrew Wylie, The Entail, and Lawrie Todd.” The International Companion to John Galt. Ed. Gerard Carruthers and Colin Kidd. Glasgow: Scottish Literature International, 2017. 44-56.
“’Maga-scenes’: Performing Periodical Literature in the 1820s.” The Public Intellectual and the Culture of Hope. Ed. Joel R. Faflak and Jason Haslam. Toronto: University of Toronto Press, 2013. 31-50.
“Impersonation in Late-Romantic Urban Performance and Print Culture.” Romantic Cityscapes. Ed. Jens Martin Gurr and Berit Michel. Trier: Wissenschaftlicher Verlag Trier, 2013. 155-64.
“John Galt’s Mediterranean Experience.” The Wordsworth Circle 43 (2012): 113-16.
“1824: Improvisation, Speculation, and Identity-Construction.” BRANCH (Britain, Representation, and Nineteenth-Century History, 1775-1925). Ed. Dino Franco Felluga. 2012.
“Sayings, Doings, and Speculations: Remediating Theodore Hook’s Silver-fork Fiction.” Informal Romanticism. Ed. James Vigus. Trier: Wissenschaftlicher Verlag Trier, 2012. 131-43.
“Agency, Destiny, and National Character: John Galt and Europe.” John Galt: Observations and Conjectures on Literature, History, and Society. Ed. Regina Hewitt. Lanham, MD: Rowman and Littlefield/Bucknell UP, 2012. 323-44.
“Die Kunst des stimmigen Wortes. Improvisatoren und ihr Publikum im 19. Jahrhundert.” Concordia discors. Ästhetiken der Stimmung zwischen Literaturen, Künsten und Wissenschaften. Ed. Hans-Georg von Arburg and Sergej Rickenbacher. Würzburg: Königshausen & Neumann, 2012. 23-34.
“John Thelwall’s Panoramic Miscellany: The Lecturer as Journalist.” John Thelwall: Critical Reassessments. Ed. Yasmin Solomonescu. Series title: Romantic Circles Praxis (September 2011). http://romantic.arhu.umd.edu/praxis/thelwall/index.html
“Coleridge, Sgricci, and the Shows of London: Improvising in Print and Performance.” Dante and Italy in British Romanticism. Ed. Frederick Burwick and Paul Douglass. New York: Palgrave Macmillan, 2011. 143-59.
“John Galt’s Fictional and Performative Worlds.” The Edinburgh Companion to Scottish Romanticism. Ed. Murray Pittock. Edinburgh: Edinburgh University Press, 2011. 166-77.
“Coleridge’s ‘The Improvisatore’: Poetry, Performance, and Remediation.” The Wordsworth Circle 40 (2011): 122-8.
“Spontaneity, Immediacy, and Improvisation in Romantic Poetry.” A Companion to Romantic Poetry. Ed. Charles Mahoney. Oxford: Wiley-Blackwell, 2011. 321-36.