Department of English

University of Toronto

Robinson, Terry F.

Terry F. Robinson 
trobinsonAssistant Professor; Graduate Faculty; Undergraduate Instructor (UTM)
St. George Office Location: Jackman Humanities Building: Room 903
UTM Office Location: Erindale Hall: Room 313D
Office Phone: 905-828-3769905-828-3769
Office Hours and/or Leave Status: By appointment
Terry F. Robinson's Homepage

Webmaster: Toronto Eighteenth-Century Group (TECG)
Co-Organizer: Work in Nineteenth-Century Studies (WINCS) Colloquium
Board of Directors: Toronto Masque Theatre

Terry F. Robinson
specializes in British literature and culture of the long eighteenth century. She is currently at work on an interdisciplinary monograph provisionally entitled Impassioned Bodies: Acting and Physical Expression in the Late Georgian Era, which examines how eighteenth-century histrionic theory and practice influenced literary, artistic, and cultural innovation in the Romantic period. Professor Robinson’s articles have appeared in Eighteenth-Century Life, European Romantic Review, Studies in Romanticism, and Nineteenth-Century Literature, among others, and in 2010 she was awarded the Nineteenth-Century Studies Association prize for best article (for “Mary Robinson and the Dramatic Art of the Comeback”). She earned her Ph.D. in English Literature from the University of Colorado at Boulder and, prior to her appointment at the University of Toronto, was a Visiting Scholar in the Department of English Language and Literature at the University of Michigan.

Teaching and Research Interests 
Eighteenth-Century Literature and Culture; Romantic-Period Literature and Culture; Drama and the Theater, 1660-1900; Body and Performance Studies; Material and Visual Culture; History of the Novel; Transnational Literatures; Women Writers.

Faculty Bookshelf

Essay Collection

Transnational England: Home and Abroad, 1780-1860. Ed. with Monika Class. Newcastle: Cambridge Scholars Publishing, 2009. Reviewed: Oxford UP Year's Work in English Studies 89.1 (2010): 614-15; Year's Work in English Studies 90.1 (2011): 616, 649, 657-58, 680-81.

Mary Robinson, Nobody: A Comedy in Two Acts (1794). Intro., Notes, and Contexts. Romantic Circles. March

Richard Brinsley Sheridan, The School for Scandal (1777). Intro., Notes, and Contexts. Broadview Press. Forthcoming.

Selected Articles & Book Chapters
"Eighteenth-Century Connoisseurship and the Female Body." Oxford Handbooks Online in Literature. Ed. Tom Keymer. In Progress.

"Becoming Somebody: Refashioning the Body Politic in Mary Robinson's Nobody." Studies in Romanticism. Forthcoming.

"National Theatre in Transition: The London Patent Theatre Fires of 1808-1809 and the Old Price Riots." BRANCH: Britain, Representation and Nineteenth-Century History. Ed. Dino Franco Felluga. Forthcoming.

"'The glass of fashion and the mould of form': The Histrionic Mirror and Georgian-Era Performance." Eighteenth-Century Life 39.2 (April 2015): 30-65.

“‘Life is a tragicomedy!': Maria Edgeworth's Belinda and the Staging of the Realist Novel.” Nineteenth-Century Literature 67.2 (September 2012): 139-176.

"John Philip Kemble" and "Sarah Siddons." The Encyclopedia of Romantic Literature. Ed. Frederick Burwick, Nancy Moore Goslee, and Diane Long Hoeveler. Malden, MA: Wiley-Blackwell, 2012. 2: 723-730; 3: 1252-1261. 

“Mary Robinson and the Dramatic Art of the Comeback,” with Michael Gamer. Studies in Romanticism 48.2 (Summer 2009): 219-256.  Reviewed: Oxford UP Year's Work in English Studies 90:1 (2011): 681.

"Introduction," with Monika Class. Transnational England: Home and Abroad, 1780-1860. Ed. Monika Class and Terry F. Robinson. Newcastle: Cambridge Scholars Publishing, 2009. 1-20.

“James Kenney.” Dictionary of Literary Biography, Vol. 344: Nineteenth-Century British Dramatists. Detroit: Gale, 2008. 206-224.  

“James Kenney’s Comedic Genius: Early Nineteenth-Century Character, Commerce, and the Arts in Raising the Wind, The World!, and Debtor and Creditor.” Literature Compass 3.5 (Aug. 2006): 1082-1106.

“‘A mere skeleton of history’: Reading Relics in Jane Austen's Northanger Abbey.” European Romantic Review 17.2 (Apr. 2006): 215-227.

Recent Reviews
Rev. of She Stoops to Conquer. By Oliver Goldsmith. Dir. Martha Henry. Perf. Lucy Peacock. Stratford Festival, Stratford, ON. 22 August 2015. Restoration & Eighteenth-Century Theatre Research (RECTR). Forthcoming.

Rev. of The Oxford Handbook of the Georgian Theatre, 1737-1832, ed. Julia Swindells and David Francis Taylor (Oxford UP, 2014). Eighteenth-Century Fiction 27.3-4 (Spring-Summer 2015): 735-41.

Rev. of The Beaux' Stratagem. By George Farquhar. Dir. Antoni Cimolino. Perf. Colm Feore. Stratford Festival, Stratford, ON. 20 Oct. 2014. Restoration & Eighteenth-Century Theatre Research 28.2 (2014): 71-76.

Rev. of Entertaining Crisis in the Atlantic Imperium 1770-1790, by Daniel O’ Quinn (Johns Hopkins UP, 2011). The Eighteenth Century: Theory and Interpretation 55.2–3 (Summer/Fall 2014): 307-312.

Rev. of The Plays of William Godwin, ed. David O'Shaughnessy (Pickering & Chatto, 2010) AND William Godwin and the Theatre, by David O'Shaughnessy (Pickering & Chatto, 2010). British Association for Romantic Studies (BARS) Bulletin and Review 39 (Dec. 2011): 20-22.

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